Getting Ready to Homebrew 5th Edition

July 16th, 2014


It’s a bit early, what with the Player’s Handbook not having shipped, but with Wizards of the Coast having released a 110-page PDF of the new Dungeons & Dragons Basic Rules and a Starter Set box with a neat litle adventure, we’ve got a pretty good amount of material to get off the fence, set aside our hipster indy RPGs for a while, and return to the mothership for a while.

I understand that it’s cool to disdain Dungeons & Dragons. Perhaps even more so if you are a long-time pen & paper roleplaying gamer. There are myriad reasons for this, ranging from the compelling and legitimate to utterly petty and childish. I don’t care whether you’re ironically or unironically against Dungeons & Dragons of any particular flavor. In my mind, every RPG you play is just D&D with house rules. Some house rules make the game more simple, some make the game more complicated. Many change the core themes of play. But if I were playing with your group, I’d tell my wife and kids that I was heading out to play some D&D with my friends. So when somebody releases a new system under the Dungeons & Dragons trademark I go and check it out. Out of habit, perhaps. Perhaps because I’ve thoroughly enjoyed every version of Dungeons & Dragons so far. At least when I first picked it up. Unlike other brands in the hobby, Dungeons & Dragons never seems to lose its shine and appeal until it’s been played a bunch.

Which brings us to the new & shiny version. From the material we’ve seen, 5th edition is bringing a few interesting new elements to the classic game. In part this is meant to reconcile the play styles of several older editions. This has fans of older versions seeing spectres of newer versions. It has fans of newer versions seeing hobgoblins of older versions. They’re correct in many of the particulars. Aspects of 1st and 2nd edition AD&D are present. Aspects of 3rd edition are present. Elements of 4th edition are there, too. New character background, bonds, and inspiration mechanics even tie in material that I associate with independent pass-the-talking-stick storytime games. Depending on how well the full system ties all these together will have a huge impact on how fun the game will be to play, how well it will facilitate DMs running the game, and how well the brand will fare going forward.

One of the important roles of a Dungeon Master has always been to adjudicate the rules, to decide how they should be interpreted and implemented in a particular story, to create new rules to deal with unforeseen circumstances, and to ignore rules that are deemed counterproductive. This has been the case since Gary Gygax and Dave Arneson killed their first orc. The result is that every Dungeon Master and his group ends up playing a different version of the game than every other group. Each has his own house rules, a kind of informal set of precedents and traditions that help players predict how the story will work. In some groups, magic swords glow constantly. In some group, magic weapons only glow with held by a person. In others, they don’t generally glow at all. I’ve seen play groups general hundred-page printouts of their campaign’s various house rules.

The first house rule I expect to implement is related to the following blurb, as presented in the Basic Rules PDF on page 31:


It is my long-held belief that, in most editions of Dungeons & Dragons, spellcasters have to be handled with care by both the player and the DM. They have to walk a tightrope between being fragile and being stupendously overpowered. A Wizard or Cleric can frequently render other characters superfluous. They can slay many enemies, circumvent many perils, and generally solve most problems and adventurer might face with no assistance from other characters. In a game where the spotlight ought to be shared and every player would like an opportunity to save the day every once in a while, this is problematic. The rule quoted above grants a Wizard the ability to pick any two spells he wants when he gains a level. Depending on the story at hand, some spells have the potential to bypass entire adventures, throwing a wrench into the Dungeon Master’s plans and depriving the whole group (including the Wizard’s player) of hours of entertainment.

A simple solution: remove the free spells when a Wizard gains a level. If you want new spells, look back to the ancient tradition of raiding some other Wizard’s spellbook or scrolls. This can be somewhat problematic if you start a Wizard character; which cantrips and 1st level spells should he have access to? If starting a Wizard at a higher level, the list of commonly-available spells would need to broaden as well.

This can also be an issue for Clerics, who are generally understood to know how to pray for whatever miracles their deities are willing to grant. The Basic Rules PDF grants Clerics access to every Cleric spell in the book the moment they are powerful enough to cast them. They are limited almost entirely to what they player has the foresight to prepare in advance. If we end up finding that Clerics are as potent in 5th edition as they have been in Pathfinder or 3rd edition, it may be a good idea to come up with a “common book of prayers” that any Cleric of a given faith would have access to. This may require coming up with a “researching a spell from scratch” system that I’ll probably base on whatever the rules for making magic items are.

The second house rule will be to modify the combat maneuvers from the Battle Master archetype found in a leaked closed-playtest document and make them the model for improvised actions by anybody, not just a subset of Fighters. I suspect the final published version of the rules will do something similar anyway, so folding this house rule into the proper rules should require a minimum of fuss and muss.

Also, no feats. If there’s one thing I grew to detest in 3rd edition, 4th edition, Pathfinder, and other Dungeons & Dragons clones, it’s feature creep, trap options, and general bloat through the “feats” system. I was tickled to see them considered optional by default.

Long Live the Queen

November 16th, 2013


There’s an odd genre of games that’s been making the rounds over across the Pacific for ages. Graduation and Princess Maker come to mind as older examples. Basically they’re a choose-your-own-adventure game where you take on the role of a responsible adult trying to guide a child to adulthood. Play involves making a series of decisions, some repetitive, some unique, which result in the child acquiring various characteristics. At the end of play you get a summary of how the child’s life turned out, effectively giving you a scorecard.

The latest addition to this odd little niche is Long Live the Queen, a title by Hanako Games. In it you guide young Elodie, the crown princess of a fantasy kingdom, through the last forty weeks before assuming the crown on her fifteenth birthday.

Each week you may select two courses of classwork for her to study. Upon completion of the coursework you may select how she spends her weekend. The classes affect her skills, the weekend activities affect her mood. Depending on her dominant mood (there are four pairs of opposing moods), she will have an easier time with certain topics. For example, if she’s angy she’ll excel at swordsmanship. If she’s depressed she’ll do better at music.

Overall a successful run through to coronation is a pretty short play-through, but this title is pretty replayable, with several alternate routes through to survival and victory. In addition to choosing her coursework (will she be a military tactician, a cunning court intriguer, a fearsome mage?) a number of events will crop up in classic choose-your-own-adventure style. Others events provide different results depending on the skills Elodie has developed.

The skill check events (and one straight-up bad decision involving a box of chocolates) can result in an array of bad endings for our fair princess. I’ve tripped across the following so far (some intentionally, some not so much):

lltq_death_arrow lltq_death_death_by_chocolate lltq_death_drown lltq_death_kraken lltq_death_magic lltq_death_staff lltq_death_sword

The Steam Achievements list suggests there are another four possible deaths. The hair trigger on this game for killing you off reminds me of the old Sierra games, where you’d get crushed into paste for stepping two pixels too far to the left or clicking on the wrong object on an office desk.

The art is cute but not remarkable, there is no technical triumph to be found here, and the setting isn’t the most inspired bit of worldcraft you’ll see, but at under $10 it’s a good buy and a fun way to burn a few hours trying to figure how how the “save the world with the power of song” or die trying.

Little Witch Academia

April 9th, 2013


Well that was just adorable. Little Witch Academia is a short one-shot anime about a little girl that wants to follow in the footsteps of a performing witch. She gets herself into a prestigious academy for witches, where she she struggles to keep up academically. On top of her problems in class, she learns that the rest of witch culture has a very low opinion of her childhood idol. When a classmate accidentally unleashes a terrible menace from underneath the school, she gets a chance to prove herself and maybe redeem her hero a bit in the process. Good stuff.